Samba
The music has 2 beats to the bar and about 50 bars per minute.
Count 1, 2 (SS) or 1 a 2 (SaS) to a bar for most step groups or figures.
Very few figures use a close hold.
For those that do, the latin hold is less close than the ballroom version.
The couple are often side-by-side or in shadow position with no hold at all.
This makes Samba difficult to lead and most dancers learn a personalised sequence with a regular partner instead.
The style of Samba is light and bouncy - especially the 1 a 2 rhythm.
Steps are usually taken onto the ball of the foot first with slight flexing of the knee.
On any a count the heel isn't lowered at all.
Basics
The basic figures can use either rhythm and may or may not turn.
They begin with a forwards or backwards step.
The other foot is closed to it.
This is either without weight (flat rhythm) or with only partial weight on the ball before transferring weight back to the original foot (bounce rhythm).
I prefer the bounce basic rhythm and can't imagine anyone other than a beginner using the progressive basic figure.
| |
Natural Basic - flat (FP, CH) |
Natural Basic Turn - flat (FP, CH) |
Beat | |
1 | 2 | 1 | 2 |
1 | 2 | 1 | 2 |
Man | |
RF | | LC tap | |
LB | | RC tap | |
RDF+1 | | LC tap | |
LDB+1 | | RC tap | |
Lady | |
LB | | RC tap | |
RF | | LC tap | |
LDB+1 | | RC tap | |
RDF+1 | | LC tap | |
| |
Reverse Basic - flat (FP, CH) |
Reverse Basic Turn - flat (FP, CH) |
Beat | |
1 | 2 | 1 | 2 |
1 | 2 | 1 | 2 |
Man | |
LF | | RC tap | |
RB | | LC tap | |
LDF-1 | | RC tap | |
RDB-1 | | LC tap | |
Lady | |
RB | | LC tap | |
LF | | RC tap | |
RDB-1 | | LC tap | |
LDF-1 | | RC tap | |
| |
Outside Basic (FP-ORP-FP, CH) |
Beat | |
1 | 2 | 1 | 2 |
1 | 2 | 1 | 2 |
Man | |
RF | | LC-1 tap | |
LB | | RC tap | |
RF | | LC+1 tap | |
LB | | RC tap | |
Lady | |
LB | | RC-1 tap | |
RF | | LC tap | |
LB | | RC+1 tap | |
RF | | LC tap | |
| |
Progressive Basic (FP, CH) |
Beat | |
1 | 2 | 1 | 2 |
Man | |
RF | | LC tap | |
LS | | RC tap | |
Lady | |
LB | | RC tap | |
RS | | LC tap | |
| |
Natural Basic - bounce (FP, CH) |
Beat | |
1 | a | 2 |
1 | a | 2 |
Man | |
RF | | LC | | RC | |
LB | | RC | | LC | |
Lady | |
LB | | RC | | LC | |
RF | | LC | | RC | |
| |
Reverse Basic - bounce (FP, CH) |
Beat | |
1 | a | 2 |
1 | a | 2 |
Man | |
LF | | RC | | LC | |
RB | | LC | | RC | |
Lady | |
RB | | LC | | RC | |
LF | | RC | | LC | |
Samba Whisks
The Samba Whisk is a side step with the other foot closed behind and touching toe to heel.
| |
Left / CP Whisk (FP-CP, CH) |
Right / PP Whisk (FP-PP, CH) |
Beat | |
1 | a | 2 |
1 | a | 2 |
Man | |
LS | | RCb+1 | | LCf-1 | |
RS | | LCb-1 | | RCf+1 | |
Lady | |
RS | | LCb-1 | | RCf+1 | |
LS | | RCb+1 | | LCf-1 | |
Samba Walks
The Samba Walk begins with a forwards step for both partners (being in promenade or side-by-side).
Then the trailing foot is pushed back a fraction and finally the leading foot is pulled back a fraction too.
With all this retrograde motion, they don't progress very far.
An interesting variation combines ordinary Walks with the Samba Walk to get a faster stalk down the Line-Of-Dance.
| |
Left / Outside Walk (PP, CH) |
Right / Inside Walk (PP, CH) |
Beat | |
1 | a | 2 |
1 | a | 2 |
Man | |
LF | | RBB | | LFB | |
RF | | LBB | | RFB | |
Lady | |
RF | | LBB | | RFB | |
LF | | RBB | | LFB | |
| |
Left / Outside Stalk (SRP, NH) |
Right / Inside Stalk (SRP, NH) |
Beat | |
1 | 2 | 1 | a | 2 |
1 | 2 | 1 | a | 2 |
Man | |
LF | | RF | |
LF | | RBB | | LFB | |
RF | | LF | |
RF | | LBB | | RFB | |
Lady | |
RF | | LF | |
RF | | LBB | | RFB | |
LF | | RF | |
LF | | RBB | | LFB | |
Bota Fogos
This is a step across the body (usually forwards), with a side-step and replace to twist back the other way.
They can be danced on the spot (in promenade) or travelling (facing or crossing in shadow) down the line of dance.
| |
Left Bota Fogo (CP-FP-PP, CH) |
Right Bota Fogo (PP-FP-CP, CH) |
Beat | |
1 | a | 2 |
1 | a | 2 |
Man | |
LxF | | RS-1 | | LSF-1 | |
RxF | | LS+1 | | RSF+1 | |
Lady | |
RxF | | LS+1 | | RSF+1 | |
LxF | | RS-1 | | LSF-1 | |
| |
Left Bota Fogo (OLP-FP-ORP, CH) |
Right Bota Fogo (ORP-FP-OLP, CH) |
Beat | |
1 | a | 2 |
1 | a | 2 |
Man | |
LxF | | RS-1 | | LSF-1 | |
RxF | | LS+1 | | RSF+1 | |
Lady | |
RxB | | LS-1 | | RSB-1 | |
LxB | | RS+1 | | LSB+1 | |
| |
Left Bota Fogo (PP-SFP-CP, LRH) |
Right Bota Fogo (CP-SFP-PP, LRH) |
Beat | |
1 | a | 2 |
1 | a | 2 |
Man | |
LxF | | RS-1 | | LSF-1 | |
RxF | | LS+1 | | RSF+1 | |
Lady | |
RxF | | LS+1 | | RSF+1 | |
LxF | | RS-1 | | LSF-1 | |
Voltas
These are side-closes with a crossing of the foot.
They follow Whisks or Bota Fogos and may be used to turn or to travel.
When the couple are on the same foot, they can use Voltas to rotate together (with either a single handhold or an arm round the other's waist).
| |
Natural Voltas (ORP, RRH) |
Beat | |
1 | a | 2 |
a | 1 | a | 2 |
Man | |
RCf+1 | |
RS+1 | | RCf+1 | |
RS+1 | | RCf+1 | |
RS+1 | | RCf+1 | |
Lady | |
RCf+1 | |
RS+1 | | RCf+1 | |
RS+1 | | RCf+1 | |
RS+1 | | RCf+1 | |
| |
Reverse Voltas (OLP, LLH) |
Beat | |
1 | a | 2 |
a | 1 | a | 2 |
Man | |
LCf-1 | |
RS-1 | | LCf-1 | |
RS-1 | | LCf-1 | |
RS-1 | | LCf-1 | |
Lady | |
LCf-1 | |
RS-1 | | LCf-1 | |
RS-1 | | LCf-1 | |
RS-1 | | LCf-1 | |
|
Bota Fogo (SFP-CP, LRH) |
Voltas (FP, LRH) |
Beat |
1 | a | 2 |
a | 1 | a | 2 |
Man |
LF | | RSB-2 | | LF | |
RS-1 | | LCf | |
RS | | LCf | |
Lady |
RF | | LSB+2 | | RF | |
LS+1 | | RCf | |
LS | | RCf | |
|
Bota Fogo (SFP-PP, LRH) |
Voltas (FP, LRH) |
Beat |
1 | a | 2 |
a | 1 | a | 2 |
Man |
RF | | LSB+2 | | RF | |
LS+1 | | RCf | |
LS | | RCf | |
Lady |
LF | | RSB-2 | | LF | |
RS-1 | | LCf | |
RS | | LCf | |
Switch-Step
If the man dances a switch step while leading the lady into a volta turn, they end up on the same foot ready for shadow figures.
| |
Left Whisk (FP-CP, CH) |
Switch + Volta Turn (CP-SFP-PP, LRH) |
Beat | |
1 | a | 2 |
1 | a | 2 |
Man | |
LS | | RCb+1 | | LCf | |
RFS-1 | | LSF-2 | |
Lady | |
RS | | LCb-1 | | RCf | |
LDFX-3 | | RFS-2 | | LCf-1 | |
Spins Out and In
If the man dances a right whisk while leading the lady into a left volta turn, he can take hold of her left hand as it leaves his right arm.
They end up in promenade in a cuddle hold (double handhold wrapped round the lady).
| |
Left Whisk (FP-CP, CH) |
Right Whisk + Volta Turn (CP-SFP-PP, DH) |
Beat | |
1 | a | 2 |
1 | a | 2 |
Man | |
LS | | RCb+1 | | LCf-1 | |
RS | | LCb-1 | | RCf | |
Lady | |
RS | | LCb-1 | | RCf | |
LDFX-3 | | RFS-2 | | LCf-1 | |
Normally they dance a couple of Samba Walks in this position first.
Then the man uses his right to left handhold to spin the lady out to the side and pull her back in.
The man can retake the double handhold and repeat the Samba Walks and Spins.
To finish the figure, the man releases his handhold as the lady spins back in, but drags his hand round her waist.
He takes her right hand in his left at the end of her spin to turn her further into a close hold.
Usually some reverse turns or rolls follow.
| |
Samba Walk + Spin Out (PP-SRP, RLH) |
Samba Walk + Spin In (SRP-PP, RLH) |
Beat | |
1 | a | 2 |
1 | a | 2 |
Man | |
LF | | RBB | | LFB | |
RF | | LBB | | RFB | |
Lady | |
RSFX+4 | | LSB+2 | | RC+2 | |
LSFX-4 | | RSB-2 | | LC-2 | |
Turns / Rolls
The reverse turn or Samba Roll is also known as The Bow.
The rhythm may be slow quick quick rather than 1 a 2.
| |
Forwards Reverse Turn (FP, CH) |
Backwards Reverse Turn (FP, CH) |
Beat | |
1 | a | 2 |
1 | a | 2 |
Man | |
LDF-1 | | RFS-2 | | LCf-1 | |
RDB-1 | | LBS-2 | | RC-1 | |
Lady | |
RDB-1 | | LBS-2 | | RC-1 | |
LDF-1 | | RFS-2 | | LCf-1 | |
© Susan Foord
(sf@pedag.org)
2010-06-28
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